Sometimes, it takes Hollywood a while to find an
engaging way to depict emerging technologies. For example, the '90s are
littered withstrainedattemptsto make the act of surfing the
Internet—an act that involves a lot of sitting and staring and not
moving—look interesting enough to compete with action blockbusters of the
day. Over the last several years, many filmmakers have tried to do the same for
text messages, with mixed results. For the latest video in hisEvery Frame A
Paintingseries, Tony Zhou
takes a look at those attempts.
Zhou—who also
dedicated videos to thecomedic
prowess of Edgar Wrightand
thechaotic
visual style of Michael Bay—traces the history of filmed text messages from
early experiments with shoving phones into the foreground of shots, to the
current trend of having text float in the air next to phones, as seen on shows
likeSherlockandHouse Of Cards. Like his other
videos,A Brief Look At
Texting And The Internet In Filmis
well-researched and crisply edited, although it may be useless in a few years after text messaging is replaced with some kind direct brain-to-brain
networking system, presenting Hollywood with a whole new problem.
My name is Dan Selcke. I live in Chicago, watch a lot of movies and television, and have too few outlets for my inconsequential opinions. Behold my solution.